There were several nice comments on that post, one of which was by Seth Lindberg (aka S.E. Lindberg, one of the managing editors of the online magazine “Black Gate”), who reminded me that he’d done an interview with me after the book’s publication. I remembered that interview well, as said to him in the comments: “Seth, I honestly think that's one of the best interviews anyone's ever done with me: great questions that forced me to answer in depth. If anyone wants a glimpse into "how I write", your interview would be an excellent choice! Thanks for reminding me of it, and for giving everyone the link!”
But that wasn’t the end of the story. I kept thinking about Seth’s interview and IMMORTAL MUSE. You see, one of my greatest regrets during that process was the decision I made to excise the section of the book that sprung from the initial spark that inspired the book and was the very first part of the book I wrote: a long section looking at Amedeo Modigliani and Jeanne Hébuterne. Cutting that was painful, since it represented months of work itself—but for the sake of the book, it had to go, which meant more months of re-arranging the text and finding new material to replace what I’d lost (I also ended up cutting three more sections of the draft.)
Now, mind you, I’ve always told my students never to actually ‘throw away’ draft work but to retain it, because you never know when you might use some portion of it later. So I went back and re-read the old Modigliani/Hébuterne section, which in turn re-ignited the regret that it never saw the light of day. Then a new thought hit me...
I sent Seth an email, asking him if “Black Gate” might be interested in publishing an annotated version of the Modigliani/Hébuterne section with my commentary on what I was thinking at the time and why (eventually) the piece had to die. Seth said he’d certainly be interested in that, and that he’d re-run the initial interview as a companion to the annotated piece first. SO….
Seth’s put up the initial interview on “Black Gate” with additional ‘teaser’ material, and the annotated, unseen-by-anyone-except-my-first-readers-and-my-editor deleted Modigliani/Hébuterne section will go live in about 48 hours. Here the link to the interview (https://www.blackgate.com/2021/10/31/emimmortal-museemby-stephen-leigh-review-interview-and-prelude-to-a-secret-chapter/), and I’ll give you the link to the deleted Modigliani/Hébuterne material as soon as it’s uploaded. Thanks to Seth for agreeing to this, and I hope you enjoy it.
If you’ve read IMMORTAL MUSE, consider this an ‘extra’ glimpse behind the curtain; if you haven’t, consider this an incentive to go and grab a copy!
https://sleigh.dreamwidth.org/file/288.jpg
Oops, sorry to be yelling but I’m excited that the book’s finally out (and gee, I’ve already used up my allotment of exclamation points for the post…)
Anyway, you can finally go to your favorite online booksellers or favorite brick-and-mortar bookstore and grab your copy of the book. And I hope you’ll do exactly that, since that’s what my publisher is eager to see and they’re the ones paying me to write… (and now I’ve used up my allotment of ellipses).
And if you’re interested in even more of me nattering on about AMID and writing in general, here’s a couple via-email interviews with me regarding the book that are also now on the interwebs: the Nerd Daily interview is here (https://www.thenerddaily.com/stephen-leigh-author-interview/) and Paul Semel’s interview is here (https://paulsemel.com/exclusive-interview-amid-the-crowd-of-stars-author-stephen-leigh/)
Happy book birthday to AMID; it wasn’t the easiest birth I’ve ever had, but not the hardest, either (I think that still goes to IMMORTAL MUSE). Mind you, I didn’t put any candles on the cake because books are deathly afraid of fire.
Tomorrow will be the release day for AMID THE CROWD OF STARS. So for this penultimate post, I thought I’d show you the initial proposal for the novel, which was then entitled COLOR THE SEA and which was fantasy set in an alternate history of 1952, *not* science fiction. I have about 7,000 words of draft of the novel still on my computer, though I doubt that it will ever see the light of day. I sent that draft and the proposal to Sheila at DAW; before she could respond, I called her and said that I’d reconsidered and would be sending her a different proposal, since I’d decided that a science fictional setting would work much better for the novel.
Sheila ultimately agreed with that assessment, and so AMID THE CROWD OF STARS (then tentatively titled THE SLEEPING WOLF, which both Sheila and I thought was too much a ‘fantasy’ title) was born, now awaiting its book birthday on Tuesday the 9th.
But for grins, I’m going to give you the 2,500 word fantasy proposal so you can glimpse the book that never was (though not the 7,000 words of draft manuscript I also wrote which will remain private). If you’d like to read it, you may download it here -- but, of course, I own the copyright to this. Who knows, maybe one day I’ll decide I want to actually write an altered version of it.
BTW, I noticed on both Amazon and B&N that there’s now a link for the audiobook of AMID (by Dreamscape Media), though it won’t be available until April 6, 2021. On B&N, at least, there’s an option for an MP3 file of the audiobook or for a CD package of the book. That’s neat; it’ll be interesting to hear someone reading the book; hope she has fun with the Irish/Scottish/Japanese/French scattered terms in there! Wonder how she is with accents.
The pics for this post are here!
The images can be seen here.